Feraghans were made between the 1870s and 1913 from a region north of the town of Arak. They are single wefted, long and narrow or room-sized carpets, typically with an all-over Herati design or floral and curling leaf motifs. Feraghan-Sarouks, also called Sarouks, are double-wefted, heavier carpets with a higher knot count than village Sultanabads. Fields are often blue or ivory and designs typically feature either large medallions or representations of trees and birds.
Quba rugs and carpets are named for a town that is located within the Daghestan region of Caucasus not far from the Caspian Sea; therefore, making Kubas a subdivision of Caucasian carpets. Kuba is at once a city and an area that was formerly a Khanate of Azerbaijan. Within the Kuba genre itself, there exist many subdivisions including: Alpan-Kuba, Karagashli, Konaghend, Chi Chi, Perepedil, Seychour and Zejwa.
The Caucasus is bounded by the rugged mountains and lush valleys of Armenia, Azerbaijan and Georgia. This cultural melting pot was populated by Armenian dyers and weavers, Azeri Turks, groups from the Northern Caucasus and minorities from the surrounding areas. The Kazak rugs of the Caucasus are distinctive and individual. Geometric people and animals, symbolic motifs, dramatic medallions, crenelated fence borders, angular cloud-bands and graphic latch.
Made in south-eastern Caucasus, bordering on north-western Iran.
This rug foundation and pile both are wool.
The design is significantly unique, specially the black border and the center medallion, therefore it is unique and important rug from every aspect.
Feraghans were made between the 1870s and 1913 from a region north of the town of Arak, produced for the Persian aristocracy. They are single wefted, long and narrow or room-sized carpets, typically with an all-over Herati design or floral and curling leaf motifs. Feraghan-Sarouks, also called Sarouks, are double-wefted, heavier carpets with a higher knot count than village Sultanabads. Fields are often blue or ivory and designs typically feature either large medallions or representations of trees and birds.
A typical Navajo rug has approximately 30 wefts to the linear inch. A two grey hills from Toadlena average about 45. The finer pieces frequently have upwards of 80. When a textile has 80 or more wefts per inch, it is considered a tapestry, not a rug. The most famous weaver of these textiles was Daisy Taugelchee (1909-1990), who wove upwards of 115 wefts per inch, which created the most finely woven Navajo tapestries anywhere.
The weavers preferred to use natural wool from their sheep rather than the commercially produced wool used by other Navajo weavers.
Highly unusual design antique colorful Kazak rug.
The Caucasus is bounded by the rugged mountains and lush valleys of Armenia, Azerbaijan and Georgia. This cultural melting pot was populated by Armenian dyers and weavers, Azeri Turks, groups from the Northern Caucasus and minorities from the surrounding areas. The Kazak rugs of the Caucasus are distinctive and individual. Geometric people and animals, symbolic motifs, dramatic medallions, crenellated fence borders, angular cloud-bands and graphic latch.
Kazak rugs are primarily produced as village productions rather than city pieces. Made from materials particular to individual tribal provinces, the rugs of the Caucasus normally display bold geometric designs in primary colors. Kazak rugs are a type of Armenian rug that were woven in the south of Caucasus, between Tiflis and Erevan. They are not associated with any particular tribe, but with the geographical areas in which they were made.
