Feraghans were made between the 1870s and 1913 from a region north of the town of Arak, produced for the Persian aristocracy. They are single wefted, long and narrow or room-sized carpets, typically with an all-over Herati design or floral and curling leaf motifs. Feraghan-Sarouks, also called Sarouks, are double-wefted, heavier carpets with a higher knot count than village Sultanabads. Fields are often blue or ivory and designs typically feature either large medallions or representations of trees and birds.
A typical Navajo rug has approximately 30 wefts to the linear inch. A two grey hills from Toadlena average about 45. The finer pieces frequently have upwards of 80. When a textile has 80 or more wefts per inch, it is considered a tapestry, not a rug. The most famous weaver of these textiles was Daisy Taugelchee (1909-1990), who wove upwards of 115 wefts per inch, which created the most finely woven Navajo tapestries anywhere.
The weavers preferred to use natural wool from their sheep rather than the commercially produced wool used by other Navajo weavers.
Highly unusual design antique colorful Kazak rug.
The Caucasus is bounded by the rugged mountains and lush valleys of Armenia, Azerbaijan and Georgia. This cultural melting pot was populated by Armenian dyers and weavers, Azeri Turks, groups from the Northern Caucasus and minorities from the surrounding areas. The Kazak rugs of the Caucasus are distinctive and individual. Geometric people and animals, symbolic motifs, dramatic medallions, crenellated fence borders, angular cloud-bands and graphic latch.
Kazak rugs are primarily produced as village productions rather than city pieces. Made from materials particular to individual tribal provinces, the rugs of the Caucasus normally display bold geometric designs in primary colors. Kazak rugs are a type of Armenian rug that were woven in the south of Caucasus, between Tiflis and Erevan. They are not associated with any particular tribe, but with the geographical areas in which they were made.
Fine Karaja rug in perfect condition with beautiful colors and design, circa 920.
The dyes used in these rugs are 100% natural. Karaja rugs have very unique patterns that are different from the other rugs produced in this region. The field is covered with a repeating medallion design and all of the medallions have a very simple, geometric shape. The only other types of rug that features this repeating medallion design are those produced by the Turkamen tribe, who originate in the northeastern region of Iran. The bold motifs and patterns predominantly resemble insects, leaves and crabs.
Beautiful colors with fine quality, circa 1920. Produced south of the city of Arak by Armenians in Persia, handmade Lilihan rugs are known for their design. Traditionally designed with a curvilinear lattice with traditional floral motifs these rugs also feature geometric designs. The primary characteristic of Lilihan rugs is the abundant use of pink although khaki and brown ornament the salamander background. Made with a long pile, these rugs are often mid-sized and favored by American tastes.
ABOUT THE SELLER
The historic Khanate or administrative district of Shirvan produced many highly decorative antique rugs that have a formality and stylistic complexity that is found in few rugs from the Caucasus. The depth of colors, the complexity of the composition and the phenomenal patterns featured in antique Shirvan rugs set them apart from those produced in other regions of the Caucasus.
The dominating color in the older rugs is a dark shade of red. The secondary color is usually a variety of red tones tending towards orange. Green is almost always used as an accent. In keeping with the color tends in western countries, the newer pieces have lighter colors on an ivory background. The dyes used in these rugs are 100% natural. Karaja rugs have very unique patterns that are different from the other rugs produced in this region. The field is covered with a repeating medallion design and all of the medallions have a very simple, geometric shape.
